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Writers Workshop: Writing Romantic Suspense
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Dancing Word Writers Workshopwith Gail Gaymer Martin October 22, 2004
Hosted by: Anne McDonald Dancing Word Publisher/Editor *This chat has been edited for clarity. Anne McDonald: Tonight's guest is the incomparable and versatile Gail Martin. Known for both her fiction and non-fiction, Gail has graciously agreed to share some of her secrets for writing romantic suspense. Gail, thanks for coming. We'll open the floor to questions. Eileen: Ok, Gail, tell me the REAL secrets of making a suspense SUSPENSEFUL. I know what I like to read...how do I write it?
Anne McDonald: Good question
Gail Martin: That's the million dollar question.
Eileen: Ain't that the truth? Any wonderful pointers?
Gail Martin: A number of things enhance a suspense - setting, character and plot - naturally.
The setting can sometimes help to create a suspenseful feeling - even a place that is normally comfortable can become frightening in certain situations.
Think of a home on a stormy night when the lights go out. Think of a familiar street with a car broken down - and a strange car hanging around. So use setting - including weather to add suspense to a story.
Eileen: It was a dark and stormy night
Gail Martin: Right - the dark and stormy knight if it's historical. anyway. Having characters with flaws is another way to create suspense. Give your characters phobias - fears of heights or fears of being in close places, and then put them in that situation. This also enhances a suspense.
Eileen: Now there's a thought.
Anne McDonald: A claustrophobic person stuck in a closet
Eileen: Eileen in an elevator
Gail Martin: Stranded in an elevator.
Plotting is naturally one of the major factors in a suspense. Two major methods of creating suspense is the Big Bang or the Jack in the Box. Anyway - the big bang is like the TV show " 24 hours." The characters are in a spot with time running out. They need to solve the problem or the bomb will go off, the child will die without medication, etc. This is very effective. I used this technique in Adam's Promise when the heroine is kidnapped.
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